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Azselendor said:
Actually, I would say the series dipped right after Resurrection Ship 1 & 2 but I don't blame RDM directly
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Near the end of Season Two, He stood upon his pile of poo, and enacted the tale of "Writers!? We don't need no steenkeen writers!". The ego-intoxicated Jack of All Trades went on to rediscover that, yes Virginia, "Jam Sessions" may have soul, but so does a well executed orchestra.
That was the beginning of the end. Self-Importance made an appearance in the form of Political Statement. We're so big we talk about national stuff--nevermind the tale. Then Tyranny set in, with the threat of firings, and so the Cylons were demoted from the realm of immortals (with genuine sci-fi interest) to just another 'them' that are also afraid to die. Just keeping the troops in line, I'de wager.
Without real material, the bottom-up scene assembly continued as a bluff of sorts. Mysteries began that had no finish. The blonde's adventure beyond the door of death promised to reveal a secret, but no joy. The woman left the show. The Eye of Jupiter was another mystery that didn't have any impact. The imperial social structure of 'born a miner, die a miner' was never resolved.
Baltar's "Am I a Cylon?" preview exhibited poor work in the editing room, and it looked like someone was pushing to make Baltar turn out to be a Cylon after all. Screw the characters. Nevermind that he made a Cylon detecter early in the first season. The Cylon Baltar didn't sell, and so the episode was a wierd cobbled together mishmash of dream scenes and whatnot, with a weak proof of humanity by behavior. The bad edits continue to be displayed in "Special Clips from the Cutting Room Floor" tacked on at the end. Commercial enterprise hard at work.
Ellen Tigh also left the show. And now it seems Kara Thrace has left as well. Rats, fleeing the sinking ship.